Annie Siddons is a London based and raised writer, performer, theatre-maker and dramaturg. Her work is hilarious, brutal, honest and poetic, embracing the mythic and the mundane.
As writer/performer, Annie created Raymondo in 2014, which ran at Summerhall as part of Escalator East to Edinburgh, then returned in 2015 for the British Council Showcase, touring across the UK 2015-16.
She followed Raymondo with How (Not) to Live in Suburbia, her first autobiographical work. The show, an unflinching look at her own chronic loneliness, featuring videos by performance artist Richard DeDomenici, played Summerhall 2016 before two sell-out runs at the Soho Theatre 2017. As part of making the show Annie trained as a Samaritan. Suburbia toured the UK in Spring/Autumn 2018/2019. How (Not) to Live in Suburbia lead to Annie making her TV debut on Alan Davies’ chat show, As Yet Untitled.It's also been part of a cross disciplinary symposium on Loneliness at UCLAN in November 2016. More symposia are planned for 2019/20 and she is currently developing it for TV with Inez Gordon.
Her most recent show, Dennis of Penge, a mythic spoken word show about addiction, friendship, Dionysus and her childhood ends of SE20 with music by Asaf Zohar played at Ovalhouse and Albany Deptford in autumn 2018. A remount is currently being planned.
Her new show, How(not) to Fight a Family Curse, made with the support of Soho Theatre and the Royal Court, explores epigenetics, family curses, religion, telling the truth, and realising your potential. She will develop it throughout 2020.
She is currently collaborating with Edith Tankus on her new show Wild Country, as co-creator, and with Bunny on their new show, Some Old Street, as co-writer/dramaturg.
From December 2018- February 2019 she worked with Ruthie Osterman as dramaturg/writer on the ground breaking live streamed theatre piece Babylon Beyond Borders which played at the Bush.
As playwright/ dramaturg, she has worked with Kneehigh, Bristol Old Vic, The Bush, Battersea Arts Centre, Teater Sagohuset, the Gate, National Theatre Studio, Shakespeare’s Globe, The Unicorn, Glasgow Citizens’ Theatre, Filament Theatre, Undercurrent Theatre. Rapunzel, written for her young daughters in 2005, was picked up by Kneehigh in 2006 and did two London runs at BAC and London's Southbank before touring the UK and US. It's since been remounted 8 times. It was be the Egg Christmas show 2019. In Jan 2018 she dramaturged on Caroline Byrne's production of All's Well that Ends Well at the Globe.
In January 2019 she was awarded a Developing Your Creative Practice Grant by the Arts Council.
In February 2019 she appeared in Dear Elizabeth at The Gate.
In 2019 she dramaturged with Nick Cassenbaum, She-Goat, Brian Logan, and Caroline Horton.
Her show for young people, Ant and Hop, was part of the Unicorn Theatre's Aesop's Fables season opening June 2019.
Her short story Rocky Tries to Shot (A putative novel opening) was the inaugural short story in new queer feminist literary ezine Broccoli in June 2019.
In autumn 2019 she collaborated with polymath artist Christopher Green on his immersive theatre project, the Home, and is currently under commission from the Unicorn to adapt Michael Ende's book Momo.
Annie regularly mentors younger and emerging artists particularly those from challenging backgrounds and works collaboratively and alone in a variety of settings. She is published by Oberon Books.
If you’d like to work with Annie please get in touch.
“Theatre artists are essentially charlatans and thieves”. Simon McBurney.
WRITER PERFORMER HUMANSHOWWOMAN